In the “comments” section of Salon.com, I wrote:
I think that all of us who
understand, appreciate and abhor the emptiness and vulgarity of Trump are in
the Post-Traumatic Stress behavior of "grim, repetitive play,"
characteristic of children who've been traumatized. They are often compelled
to face their overwhelm horror by playing it out repeatedly (such as with
action figures or in the sandbox) but without the pleasure of normal play. Like
other traumas, the Trump phenomenon is impossible to "swallow" but
has been forced down our throats and now will not be vomited out. What else can
we do, for now, but repeat, repeat and repeat our incredulous observations?
My comment, a conscious instance of the trauma reaction it described, didn’t go into the behavior’s rationale. My own understanding is that trauma is a primary wrong that redefines the child’s life in an unacceptable way, and therefore takes precedence over everything else. Children express themselves through play. When they are disabled by the kind of lethal, “soul murdering”* overwhelm or crazy logic** of trauma, their play may manifest the constant force of the wrong. Lenore Terr, psychiatrist who researched the notorious Chowchilla kidnappings, wrote:
“. . .
the play that follows from trauma is grim and monotonous” (p. 238). “. . . play
does not stop easily when it is traumatically inspired. And it may not change
much over time. As opposed to ordinary child’s play, post-traumatic play is
obsessively repeated. It is grim. Furthermore, it requires a certain set of
conditions in order to proceed – a certain place, a certain assortment of
dolls, certain playmates, or a certain routine. It may go on for years. It
repeats parts of the trauma. It occasionally includes a defense or two or a
feeble attempt at a happy ending, but post-traumatic play is able to do very
little to relieve anxiety. It can be dangerous, too. The problem is – post-traumatic
play may create more terror than was consciously there when the game started.
And if it does dissipate some terror, this monotonous play does it so slowly
that it might take more than a lifetime before the play would completely
dissipate all the anxiety stirred-up by the trauma” (p. 239).***
The state of being troubled and stunned, one moment walking in a benign world and the next in a twilight zone or cartoon world, is to be forced to perseverate. The drone of Orange has hegemony. Our leader might be a fascist demagogue who loves himself to the point of solipsism, the world’s entire purpose a stage and spittoon? Our president might be a man without nobility, dignity, subtlety or vocabulary, but possibly a spasm of humanity when being watched? We cannot stop thinking of or imaging him, secondarily his brown smog of followers. I read quite a few online articles. If a piece is not about Trump, something as innocuous as a “Dear Prudence” column, I’m likely to think: Why is Trump not mentioned in this? I have an urge to foist his foul echo into every comment I write – mostly because I’m drawn to articles he headlines. Other commenters have noticed the same. His name, signifying a ludicrous wight, seems to have become a default theme to the times, a brain implant through which we see and feel.
What can we do about living in such an off world, where a carnival barker is thought to be sound, competent, a leader? We may be feeling like Steven Mallory in The Fountainhead:
“Listen,
what’s the most horrible experience you can imagine? To me – it’s being left, unarmed,
in a sealed cell with a drooling beast of prey or a maniac who’s had some
disease that’s eaten his brain out. You’d have nothing then but your voice –
your voice and your thought. You’d scream to that creature why it should not
touch you, you’d have the most eloquent words, the unanswerable words, you’d
become the vessel of the absolute truth. And you’d see living eyes watching you
and you’d know that the thing can’t hear you, that it can’t be reached, not
reached, not in any way, yet it’s breathing and moving there before you with a
purpose of its own. That’s horror. Well, that’s what’s hanging over the world.
. . .”*****
- - - - - - - - - - -
* Soul Murder, Leonard Shengold, M.D.
** By “crazy logic,” I mean a traumatic event that has happened – it is in the real world – but which is impossible to assimilate. Not unlike my father’s saying (fortunately, in jest), “When Tuesday falls on Friday.”
*** Lenore Terr, M.D., Too Scared To Cry – Psychic Trauma in Childhood, Basic Books, 1990.
**** Idea taken from an old Roald Dahl short story in which (as I dimly remember) post-apocalypse, a starving old man and a little girl resignedly cut off their limbs for food.
***** Ayn Rand, The Fountainhead, pdf – http://pieceofmind.publicrealm.net/wp-content/uploads/2009/12/The-Fountainhead.pdf. Pages unnumbered; search “drooling.”